Friday, January 30, 2015

Enlightenment Authors: Kant, etc.


NOTES ON ENLIGHTENMENT AUTHORS

Introduction

To extrapolate from an issue that the Norton editors bring up, we might say that one the one hand, positing by means of rational inquiry a "universal science of the mind " holds out the prospect of a truly intelligible order of things, a full or nearly full understanding of humanity.  Such an accomplishment should, in turn, allow us to behave better and arrange our societies to benefit nearly everybody.  That seems to be the dream of our leading Enlightenment leading: understanding human beings to the fullest extent.

Of course, if you posit a universal order, a universal way of thinking and perceiving, a universal way that mankind ought to be and behave, as modern rationalists and Enlightenment philosophers tend to do, abuse of that stance is always possible.  It's a fair criticism.  If there's only one right way, one superior way, every other way is wrong and inferior.  Maybe that accounts in part for arrogant acts like Napoleon and the French Revolutionaries' attempt to export "freedom" all over Europe at the point of guns, swords and cannon.  Maybe it also has something to do with the way Europeans felt little compunction later in the Nineteenth Century about carving up large swaths of the earth in order to "civilize the natives."  And what if a totally rationalized society ends up, given sufficient technology, being some kind of dystopian Big Brother World from which individuals will have no means of escape?  "Reason" could break down to something like "ruthless technological proficiency."

In saying the above, I hardly mean to join in the Humanism- and Enlightenment-bashing fun that so often passes for brilliance in academic circles.  Let's note that one of the glories of the European Enlightenment and its afterlife is exactly the capacity for critical self-reflection many philosophers and others have demonstrated.  Still, you can take that kind of criticism to the point of madness, and we see that from time to time as well.  So I don't mean to suggest that we should abandon Reason as the light of the secular world.  After all, what else are we to embrace?  Irrationalism?  Violence?  Chaos?  Accept my psychotic interpretation of any one of the world's great religions or I'll murder you right now?  No, I'll cast my lot with promoting and using reason and science leavened with humility.  And by the way, many C18 intellectuals didn't praise or talk about reason exclusively -- not at all; they developed quite a fondness for discussing the role of the "passions" in human affairs, and they thought the cultivation of our finer feelings was essential to our well-being as individuals and collectively.

Of note, too, in the introduction is the mention of C18 artistic form as lending stability, as being an idealizing, improving power over against the potentially chaotic revelatory effects of realism in art.  We could say that idealized representations of society and the human animal provide us with what Oscar Wilde calls "beautiful forms for the imagination" to work with, or we could call them pretty lies that mislead us about the awful present or the necessary truth.  Your call….  Art has long gone down both paths, and several others; it will probably continue to do so for a long time to come.

ENLIGHTENMENT AUTHORS

Samuel Johnson

104.  Dr. Johnson was himself a high Anglican in terms of his religion, but he was hardly stuffy about it.  You can see that his five-part definition of the verb "to enlighten" mixes a secular sensibility with a religious one, one that contains overtones of a divine gift with more secular language like "To instruct; to furnish with encrease of knowledge."

Immanuel Kant, "What Is Enlightenment?" (1784)

105.  In essence, Immanuel Kant is saying that it's time for all of us to take the training wheels off, so to speak.  To put it very bluntly, he suggests that most adults have the minds of children and that they are shamefully satisfied with themselves for being so.  He mockingly thanks the so-called guardians of the people for inculcating and reinforcing this vile state of affairs.  It is difficult to think for yourself, and easy to let someone else do it, so why not?

106.  Kant points out that taking the leap to free, rational thought and shedding mere convention and authoritative opinion would be difficult for any single individual, but very possible for the public.  His famous remark on the matter is, "indeed, if only freedom is granted, enlightenment is almost sure to follow."  As Abraham Lincoln will put it in the middle of the next century, you can't fool all of the people all of the time, and there are enough smart people out there to prove Mr. Lincoln right.  This public enlightenment will only happen slowly thanks to the vicious hold of ancient privileges and biased ways of thinking – bad, childish habits of mind.  The public may even punish people who come to them promoting enlightenment.  Even so, the idea goes, progress will happen.  We notice that Kant praises Frederick the Great of Prussia as the only prince in the world who says, "Argue as much as you will, and about what you will, but obey!"

Kant makes a key distinction towards the end of this page and continuing onward: he says that "The public use of one's reason must always be free."  The private use of it can sometimes be kept down, but a person speaking in his or her public capacity has every right to exercise free speech and freedom of thought.  The examples that Kant provides are interesting – a soldier must obey and not sit around debating orders, for example, and a preacher is bound to preach in the accepted way without introducing purely personal ideas into his sermons.  Such people are discharging the duties of an office, we might say, and therefore they are somewhat limited in what they can say.  But when they step outside the boundaries of the office, they may act as what Kant calls scholars, and this doesn't mean academic researchers.  It seems instead to mean, "public-spirited individuals acting and speaking in their own capacity."  Then you must allow and promote free speech and free thought to the maximum extent.  At base, Kant is calling for something that today would be called a strong "public sphere," a place both literal and figurative where people are free to speak, write and think as they believe they should, without fear of getting either fired or fired upon.  It's a safe space for free and honest thought and speech.  This is the very principle that the individuals who recently attacked the offices of Charlie Hebdo, a satirical magazine in Paris, rejected: they saw no reason to respect the right of French magazine editors to publish material they considered insulting to their religion.  Nothing could be more contrary to Enlightenment values.

The position of an academic, by the way, is an interesting one to consider because Kant does not bring it up specifically.  Personally, while I always try to respect other people's methods of teaching, I have found that some small number of instructors (especially very young ones) take their position as a platform to push their own politics and worldview.  I wouldn't overstate the percentage who do this -- I actually think it's fairly small -- but nobody should do it.  It is an un-Kantian thing to do in that when you teach (whether at a public or a private school), you are fulfilling a contractual duty that involves helping people learn how to handle ideas in a sometimes precise, sometimes imaginative, and above all fair-minded way.  That is what the humanities are all about, isn't it?  Well, the exact contents of one's lectures are not prescribed by this contractual obligation, as Jacques Derrida gamely pointed out years ago, and so it is, strictly speaking, impossible to carry out such contractual obligations to the letter.  In a sense, there is no letter to carry out. 

All the same, if I come to class and try to turn you all into registered Democrats, or spend half my time saying terrible things about this or that politician, wouldn't you find it annoying?  Even if you happened to agree with me, I would be trying to tell you what to think.  And even if I didn't stoop so low as to grade you on what I took to be your politics (I’m pretty sure almost nobody takes things that far), I would still be acting like a pulpit-bully rather than trying to help you arrive at your own reasoned view of things.  Humility is in order – I am not here to browbeat you into accepting my outlook; if I tried to do that, it probably wouldn't work anyhow, and in any case it would not serve the cause of enlightenment.  Large-scale public education, it's fair to say, is part of a continuing Enlightenment project.

Of course, being too rigid about this sort of thing would also be counterproductive – everybody knows the teacher has opinions, and it's okay to mention them on occasion, in context; college classrooms are not full of three-year-olds, and there's nothing wrong with pointing out that one's views come from a particular direction and that they are presently shaping what one says about Kant, or Dr. Johnson, or whomever we are talking about.  That's just "truth in advertising," so to speak.  And certainly, teachers and other such professionals should be free as "scholars" in the specifically Kantian sense, to write and talk about whatever they please.  Just not within the confines of the classroom, where their duty is to cover the material honestly and without pretentious or tendentious bias.  That would be my interpretation of Kant's viewpoint, and I share it myself.

You can always bring up extreme examples that challenge the purity of such schemes: what if, for example, a professor publishes an op-ed piece in the local newspaper brazenly insisting that the Holocaust never occurred?  Or praising extremism and violence targeting the United States?  If that were to happen -- and I think there have been similar instances, though I don't have any particular ones in mind -- what would the appropriate response be?  I mean, this person may be speaking out on his or her own time and not on the university's, but it would hardly go over well to have an avowed anti-Semite or an extremist fanatic teaching one's classes, would it?  Would it be acceptable for a school to fire such a professor, even if he or she doesn't propagate those views in a specifically academic context? 

Moreover, quite aside from academia, what should we think about someone like Edward Snowden, who allegedly used his position in relation to America's security apparatus to "out" some of the country's darker secrets regarding recent wars and the War on Terror?  How does this fit into Kant's scheme of public and private discourse?  If the accounts are correct, was Snowden just acting wrongly as a private individual with contractual obligations to keep his trap shut no matter what he came across, or was he more like a whistleblower version of the Kantian scholar disseminating knowledge of things that much of the public is now glad it knows about its own government?  What kind of government does highly questionable things and then threatens citizens with charges of treason in the name of "security"?  Is that something a republic or a democracy should do?  Milton, we might note, said tyrants always invoke necessity (read: security, order, keeping us safe) as the prime cause for their worst offenses against liberty and human dignity.  I don't have a final answer -- I am just bringing it up as a consequential matter having to do with the parameters of free speech.  There are always "rules" in society.  Are there instances where one may feel bound to break them, consequences be damned?  (See also the Daniel Ellsberg affair with regard to the Nixon Era and the Vietnam War -- another famous "whistleblower" case.) How much is "free speech" worth if it's always bound to be more or less inconsequential, safe, as if the public sphere were some kind of action-free bubble?  Well, before I move on, I should mention that discussing these kinds of things is partly what is meant by enlightened debate – you have to be able to talk about such matters without expecting the world (or the government) to bash you over the head for it.

107.  At the bottom of the page Kant makes an interesting point – even the views and practices of great institutions like the church may and do change over time, so, says our author, it would make no sense to bind a group of clergyman to a specific ideas for all time.  I think that is evidence of humility – it is in the nature of human thought to introduce new ideas, to embrace change.  That is what makes progress possible, and without it, the human mind and spirit would stagnate.  We are not, as Thomas Paine would remind us, bound to the past, and have every right to look to the present and even the future.

108-109.  Now we come to the fascinating conclusion of this popular essay.  If you were to ask Kant whether or not the end of the Eighteenth Century is enlightened, he would tell you "no, it isn't."  Still, he says, "we do live in an age of enlightenment."  What he is talking about is progress – progress is being made towards an ideal that will be beneficial both for individuals and for society.  Kant praises Frederick the Great of Prussia (r. 1740-86) as the wisest of rulers.  That may seem paradoxical, and the author admits as much since Frederick did not preside over a democracy or a republic.  On the contrary, what we are dealing with in C18 Prussia is an autocratic form of governance.  But the author thinks that by keeping religious power grabs down (it was Frederick who boasted, "In my state, every man can be saved after his own fashion") and by practicing tolerance but also simultaneously limiting civil freedom somewhat, Frederick is assuring his realm's order and stability, and is thereby doing freedom the greatest service that could be done at his own point in history.  He is allowing individuals the fullest practical opportunity to develop their minds without fear of extreme reprisal, whether from the state, the church, or fellow citizens.  A democratic society may be glorious, the idea runs, but it is also dangerous and potentially self-destructive.  (The unstable nature of radical democracy is clear from the example of ancient Greece.  And though we are justly proud of our republic here in the States, let's not forget that we have already had one gut-wrenching meltdown in our relatively brief history: the Civil War.) 

109.  Let's look at the final paragraph on 109, where the author fleshes out the above ideas.  The sum of it is that if you nurture individual freedom in a safe setting, gradually the people as a whole will become more educated, more enlightened, and ever more capable of managing greater freedom.  In the end, the government will treat them with the dignity they deserve as fully developed human beings.  What do you think of this notion?  Do you think it's naïve and blind to the way rulers arrange matters to suit their own power interests, and that it implies a surprisingly negative or at least a tentative view of human nature (given all that Kant has said about our wonderful capacity for rational thought, and so forth), or do you think it makes sense as a vision for a better future?  Can a society be so free that it ends up descending into chaos?  Can it ever be good to set up a person as a philosopher-monarch à la Plato's Republic?  Or do you run with Winston Churchill's quip, "Democracy's the worst form of government -- except for all the other forms of government"?

My own take?  Well, I can agree with Kant's implicit view that civil society, indeed civilization writ large, is a fragile construct -- it's a matter of nurturing and artifice, of cultivation, not just following our rawest natural urges or letting chaos reign until the bad guys burn themselves out.  So in this sense, I understand and agree with the notion that we flourish when there are sustainable ground rules in place.  Hobbes' "War of All Against All" is not an abstraction -- many lapsed societies have suffered something very like it.  All the same, my sensibilities are those of a typical rebellious American: we're like the Romans of the Old Republic in that we can't abide the very name of kings, let alone allow them to rule us.  That means I don't warm up much to Kant's faith in the wisdom of one Frederick the Great, Hohenzollern King of Prussia.  Well, then, is our general populace a lot more enlightened, so that we have somehow developed into the kind of public Kant thought could handle full freedom and claim full dignity?  I doubt it -- I think we're still a pretty ignorant bunch, we Americans, no offense intended.  We do and think stupid things on occasion, and we sometimes vote in fools to high offices; political bias, misinformation, intimidation and outright lies abound; half of us seem to reject basic science, there's still some racism and sexism to be reckoned with, and so forth.  Yet here we are, still standing.  I'm suggesting that yes, democracies and democratic-spirited republics are a perilous adventure and they can (and do sometimes) blow up in the people's faces -- one of our wisest presidents, Abraham Lincoln, admitted as much when in his Gettysburg Address he called our form of government and our history an "experiment."  All the same, you've just got to do the best you can, recognize that others are entitled to their views as you are to yours, and take your chances with the grandest form of "gub'mint" ever devised.  If there's a better way, I don't know of it.  Gandhi put the matter well: be the change you want to see happen, and perhaps that way you'll enhance the odds in favor of positive transformation.

René Descartes, from The Discourse on Method

Descartes says that the only thing he can be certain of is that since he thinks, he must exist: "I think; therefore I am," or cogito, ergo sum.  That is a brilliant formulation, by which Descartes is trying to get free of crippling skepticism about the value of the information that comes to us through our five senses.  The empiricists would tell us that all our knowledge comes from what we can take in of the world around us: nature is the master reality, and mind is a passive recipient and mechanical processor/combiner of fragmentary bits of this reality.  But we know that it's very hard to be certain about such information -- is it ever entirely accurate, or accurate at all?  Descartes, a "rationalist," turns philosophical inquiry towards the human mind and its operations, and away from its more common assumption that humanity is more or less chained to the natural world and natural necessity.  (Later, the German Idealist Kant will do that on an even broader scale and in a more detailed, systematic way, while also fully recognizing the pitfalls of pure rationalism.)  So, "what can we know?" tends towards "how do we build up and maintain a sense of what we know?  How does the mind construct our reality, insofar as we have access to reality?"  As Vice President Biden might say, this is a big effin' philosophical and sociological deal.  Authors like Descartes lay the groundwork for modern thought and disciplines that take human beings themselves as the central object of study.  That is a central premise of the Enlightenment: we can turn our critical inquiry and its methods loose on humanity itself.  So that's why Monsieur Descartes belongs in our medley of Enlightenment authors.  

In our own time, it's easy to see the difficulties with Cartesian rationalism: it strongly tends towards divorcing us from the natural world when it seems like we should be trying to stay connected with that world.  It isolates and exalts mind over matter.  There's a certain arrogance about that, isn't there?  Then, too, the assumption that mind and body are neatly split seems eminently challenge-worthy today.  Wouldn't researchers in relevant fields insist that the brain is part of the entire human organism, and that its very energy to function comes from being tapped into electrical currents generated within the body?  In this sense, the Beat author William Burroughs isn't wrong to describe human beings as "soft machines."  The brain is rather like a mushy but magnificent computer.  Turn off the switch to the body's power plant, and the computer almost instantly becomes a decaying mass of gray goo, if we buy a fully materialist notion of the way things are.  Alternately, we could just say that it's obvious the body affects how the mind works, so how can we claim they have nothing to do with each other?  Body affects mind, and mind affects body, simple as that; the two function as a unit.

All the same, the significance of Cartesian thought and of the Enlightenment more generally is that it opens up the possibility of truly human sciences, of rational inquiry into the human condition and of consequent social and political change on the basis of that inquiry.  It's up to us to wield and modify such thought in a wise manner, and it seems ungracious to blame the authors for every shortfall in their bold thinking and every possible negative consequence stemming from it.

Diderot and D'Alembert's Encyclopédie

118-20.  Encyclopedia.  The authors explain the etymology of this word by referring it back to the Greek nouns kyklos (pronounced kyoo-clos), which generally means "circle," and paideia, which means "instruction,, science, knowledge."  The latter word, paideia, was used to describe the ancient Greek system of education.  Here, the idea is that an encyclopedia gathers together and relates as much knowledge as possible so that it all becomes like one big circle or web that we can go to for insight on all sorts of things.  The further point is to keep broadening this circle as well as the circle of people who have access to it and know how to make use of it.  Perhaps Diderot and D'Alembert's Encyclopédie isn't so very different from today's vast Internet, though the obvious difference is that that latter has developed in a sprawling way, with no central oversight going into the definitions and information one can find there.  Still, the animating spirit of an enterprise like Wikipedia resembles that of the Encyclopedists, doesn't it?  The aim is to disseminate knowledge to anyone who wants it, and to keep said knowledge from becoming the semi-mystical province of a privileged few.  Anyone who doubts the value of this kind of enterprise (for all its gaps and flaws) should perhaps take note of how the Internet is dealt with in authoritarian countries -- they just can't stand the idea of people gaining access to any version of events that runs counter to the official line.  It has to be their way or no way, and one is reminded of Plato's injunction in The Republic that only "hymns to the gods and virtuous men" should come near the people's ears.  None of that rascally nonsense from Homer and his ilk!

119.  Another interesting point made in this section is that "All things must be examined" (119) in what the authors call "a philosophical age."  This is an era that is interested in defining itself and searching its prospects as a foundation for a more humane way to live, and you can really see that in the entries that follow on slavery and on women.  We recall that Kant thought it vital to define the term "enlightenment" because the age itself had made that word (éclairecissement in French, Aufklärung in German, Illuminismo in Italian) vitally fashionable.  We are used to saying that terms like "the European Enlightenment" are just stuff we invented long after the fact to describe earlier eras, but that would be off the mark if we applied it to the Eighteenth Century.  Anyway, Diderot and D'Alembert & Co. evidently don't think much of received opinion or the authority it claims.  On the same page, the authors denounce narrow-minded nationalism and regionalism; there is a strong internationalist current in Enlightenment thinking, one that stems from its hopes for the universality of Reason and common humanity.

Political Authority                                              

The authors turn the old theory of "the divine right of kings" on its head. Milton and his fellow puritans had already done this during the English Civil War, but all the same it's stirring to read it in an endeavor like the Encyclopédie.  Á bas l'absolutism!  What Diderot & Co suggest is that it's liberté that is divinely appointed as a gift to all mankind, and they say that power derives from the consent of the people themselves -- when kings claim divine right, all they're doing is shamming the people because violence and threats always lie at the heart of kingly power.  How, after all, are aristocracies and monarchies formed in the first place?  By events like the Norman Conquest of 1066, that's how.  I don't know the exact date of this particular entry, but it's sensible to acknowledge that such radical French notions are the most proximate origin (you could trace it back to John Locke, etc.) of certain bold language in the American Declaration of Independence, 1776:
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.  -- That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.

Benjamin Franklin's Letter to Joseph Priestley, 1780

Ben Franklin aptly sums up Enlightenment enthusiasm for the potential benefits of scientific discovery.  We know him to have been a wise old character, but in this letter he sounds a bit like a kid in a futuristic candy store -- no doubt we'll be teleporting heavy goods and living forever someday, etc.  Beam me up, Scotty!  C18 optimism about what hard science and nascent social science have to offer is certainly a strain in Enlightenment thinking, but so is the older sense -- you can find it all over the place in Renaissance art and thought -- that human civilization is a fragile achievement, one that can be lost if we don't work to maintain it.  I think both of these attitudes -- optimism and vigilance -- are necessary right on up to the present, and so are Candide-like efforts to lambast those who take up an extreme view in either direction (optimism or pessimism).  

On the one hand, the technological progress in our own times is head-spinning.  I'm going to borrow a line from that tall, skinny, ethically dubious guy who owns a junkyard in Breaking Bad here: "Hey, we’re living in a time of string theories and God particles. Feasible? Doable? Yeah, sure, why not?" (Episode 5.01, "Live Free or Die")  Wonderful things are being discovered in astronomy, medicine, and communications.  

On the other hand, human nature really doesn't appear to have changed one iota.  Our raw intelligence always runs way ahead of our emotional and moral maturity, and that's a serious, perhaps lethal problem.  So we continue butchering one another and ruining the planet, and simply denying anything science tells us if it makes us uncomfortable.  Stephen Colbert is a comedian pretending to be an oblivious right-wing talking head, but he may just be one of our age's best philosophers: his concept of "truthiness" describes the attitude of millions of modern people. My gloss on truthiness would be, "if you don't like the news or the scientific results, that's okay -- nothing will come of it all.  Just keep doing what makes you feel good, based on what your political, social, or other biases tell you ought to be true."  It's also the case that not all of our new discoveries come with unalloyed good effects.  The Internet is indeed amazing -- we have a world of information at our fingertips, it's the ancient dream of the Library of Alexandria come true, right?  So how come a huge percentage of Internet users just want to stream "dirty movies" or hook up with somebody behind their spouse's back, or read frivolous little bytes of infotainment?  (The great polymath Giovanni Pico della Mirandola would turn over in his Renaissance grave if he knew what the average Net user was up to.)  It's because they're people, that's why.  And unfortunately, the Internet doesn't change that.  What the Internet does do, however, is threaten the traditional economy in a number of ways -- it's an another business and social model altogether, one that lets millions of people illegitimately access intangible products like music and literature for free (how are artists supposed to live? should they go "breatharian" and live on air and muted praise?), and make the bricks and mortar model increasingly obsolete.  So where are the jobs in the Internet economy?  People need to earn their living, and you can't sell stuff if almost nobody has any money to buy anything with.  Net-cheerleaders tend to forget that simple truth -- it's much more fun to speculate wildly about all the radical ways in which the Internet is going to transform life for the better.  Point is, technology is wonderful, but there are no guarantees that what it brings will always benefit us.  That's where vigilance comes into play -- "mind the results."

David Hume's "Of National Characters" and James Beattie's "An Essay on Truth"

These two philosophers engaged in a drop-dead battle over alleged differences in human value and intelligence amongst the various races, with Beattie scornfully rejecting the skeptic Hume's conclusions that white people are da bomb.  Hume's conclusions are, of course, based on nothing more than the very species of absurd prejudice he so aptly condemned in others -- you know, believing things just because others in your group believe them and because they make you feel superior.  There's not much more to it, and the Norton editors are right to point out that Hume's attitude is evidence of a certain potential for arrogance in Enlightenment thinking.  You'd think that a wise skeptic like David Hume wouldn't fall prey to universalist twaddle about race, but you have the evidence right before your lying eyes.  At least he opposed slavery, and pointed out that it was destructive to the masters' spirit and intellect as well as horribly damaging to enslaved people.  So there's that.

Mary Wollstonecraft's A Vindication of the Rights of Woman

Wollstonecraft is fairly thought to be the original feminist advocate, thanks to her savvy Enlightenment-based critique of the arguments set forth by European men favoring the continued subjugation of women.  For the most part, she reasons, such arguments are circular: deny a whole group of people something vital like education, observe the results (i.e. insufficiently educated individuals who can't take part in civic life fully), and then use those results to insist that the group in question isn't really capable of becoming educated, so to hell with it -- why bother with nonsense like equality?  Variations on this ridiculously abusive and even tragic move have been applied to all sorts of groups: black people in America and elsewhere, native peoples in Latin America, LGBT people just about everywhere, etc.  The hit parade of narrow, discriminatory nastiness goes on, though sometimes dramatic progress happens.  Treat people worse than others, and they'll probably turn out differently, behave differently -- it's that simple; but the end-line differences don't prove that the people in question are essentially (and therefore ab initio) different.

The thorny part of Wollstonecraft's excerpt is her blunt admission that many C18 women, on average, fail to demonstrate the intellectual and emotional wherewithal that would enable them to come into full social and political equality with men.  It's an unpleasant confession, but she apparently believes it's a necessary one since not making it only opens up feminists like herself to a counter-argument based on simple observation.  I think we all know how powerful such "look around and tell me what you see!" arguments can be: even when they're completely wrong, they may seem intuitively correct.  Surprise!  Ask any modern social scientist or physical scientist and you'll be informed that "common sense" is often misleading and conduces to fallacious groupthink à la Plato's Parable of the Cave.  If I see a stick immersed halfway in a cup, and I don't understand basic refraction (see Snell's Law, or just look it up under Duhhhhhh, why does the stick look bent? on the Internets), I'm going to assume the stick is actually crooked, not that it only looks that way at the moment.  People make the same stupid mistake about any number of phenomena in politics, society, you name it. 

So Wollstonecraft frankly admits that too many women of her era pretty much behave the way men say they do: they act like irrational, vain, flighty creatures who couldn't possibly take charge of their own affairs with anything but disastrous results.  But then she offers up her razor-sharp critique explaining why that seemingly bedrock state of affairs is no more than a variety of the stick-immersed-in-the-water fallacy: it's an appearance, not the ultimate measure of women's true capacities.  Of course, the persistence of the same tired old claims right up to today, if perhaps to a lesser degree, suggests just how much a lot of men (and the institutions that still mostly favor them) have invested in said claims being true.

The Marquis de Sade's Philosophy in the Bedroom

The Marquis is nothing if not audacious both in his sexual eccentricities and in his manner of argumentation.  We might as well give him that.  He no doubt understood that his reasoning on such matters as cruelty and killing might prove downright painful for a fair number of readers, and it wouldn't surprise me if he took perverse pleasure in that realization.  After all, the man was a sadist.  Anyhow, what he is up to in our excerpts is clever, if not necessarily convincing: he pursues to its extreme the basic Enlightenment premise that restraints on human inquiry into truth are pernicious and dishonest, and in the name of perpetual critique, he rips up the common C18 idea that education is vital to the amelioration of the human condition.

The fictional aristocrat in Philosophy in the Bedroom advances the specific claim that all of our distinction-making between "us" and "the animals" is for naught: we are nature, and nature is us.  By nature, he means predators and prey -- what the Victorian poet Alfred Tennyson would later describe as "Nature, red in tooth and claw."  And of course he means death as the way things get done in nature.  Hmmmm…. animals kill one another for a living, and we are animals, so …. The Marquis makes his character reject the C18 attempt to bring nature and reason together (à la Rousseau, who thought that rigidly "civilized" rules and ways of life were corruptive rather than good for us), and apply the same scheme to the concept of cruelty.  Cruelty, he says -- I take this to mean voluptuous pleasure in causing and witnessing the suffering of others -- is natural; our weakness in the face of it stems from that pernicious bit of artifice, education.  Yes, you heard him -- bloody, cruel nature good, education bad.  I suppose this means that a serial killer who starts out by slowly slaughtering defenseless puppy dogs and kittens and then moves on to torturing human victims is simply following nature's way, delighting in the cruel excessiveness of the way things are.  The odd thing is, the Marquis makes his literary character identify such excess with liberty, even though the actual man seems to have found himself uncomfortable with the murderous excesses of revolutionaries like Marat and Robespierre.

Well, I'm going to cast my lot with the puppy dogs and kittens -- sorry, Monsieur de Sade.  What this man is evidently too depraved to recognize is that kindness is part of our nature.  I consider it undeniable that cruelty is also part of who we are -- in a sense, de Sade is the precursor of Sigmund Freud in that both see sexuality and aggression as the deep forces that drive us to be as we are and do as we do.  But the point is that human nature isn't unitary; it isn't like the allegedly unitary nature of, say, tigers and lions -- I say allegedly because I don't fully accept the notion that animals are really unitary in that way, either.  A tiger isn't fully hard-wired to kill and do nothing else -- it's a complex, intelligent living being, not a toaster or a piece of furniture.  It may well be natural for us to kill and even to take cruel delight in the suffering of our fellow creatures, but it seems to me that a great deal of what is good and even sublime about us is that we are capable of something better.  Striving to improve and employing artifice are part of humanity's fundamental makeup, and that's a good thing because our capacity for violence is a terrifying thing to behold, and potentially fatal to everything around us.  This capacity for violence, I think, is precisely what the Marquis de Sade's fictional aristocrat in Philosophy in the Bedroom is celebrating in the sexual and civic realms.  He celebrates this quality in the name of la vérité et la liberté, whereas I would suggest that such celebration amounts to little more than toasting one's own slavery to the basest instincts. 

Similarly, the pseudo-Pythagoreanism advanced by our well-born speaker in Philosophy in the Bedroom -- I mean the idea that killing something only transitions it into some new form of consciousness -- strikes me as what Ernest Becker would call a "denial of death."  To say that you and I are made up partly of T-Rex dust, or something along those lines, isn't to say that mama T-Rex herself is alive and well, just hanging out and lounging around in our bones.  In my admittedly materialist view, the fact of death is more absolute, and therefore more radical in its implications.  I prefer to paraphrase Clint Eastwood's line in one of his old cowboy films, "To kill a man is to take away everything he's ever had, or ever going to have."  Lights out, that's it.  I'm not buying the de Sadian speaker's implied, "don't fret -- it's okay, really, because he'll come back as a llama in Peru someday" shtick.  It's a fascinating notion that perhaps the universe is a machine for the perpetual production of consciousness, but this isn't the same thing as the survival of singular, integral personhood after an individual's consciousness is snuffed out.  It's especially galling when you're trying to enlist Pythagoras in the cause of cruelty and murder.


Tuesday, January 27, 2015

Ihara Saikaku


 Notes on Ihara Saikaku's "Confessions of a Sensuous Woman"
                                                                                 
Ihara Saikaku is producing what we might call a form of literature for the merchant class or the bourgeoisie – this kind of art is interested in common culture and common people.  What drives most folks?  Love and money, and in some cases desire for more influence in some sphere of life.  I suppose this is a sort of literature that doesn't always aim to elevate so much as to entertain, to reflect the mores and manners of the people back to them in a realistic way.  Critic and translator Howard Hibbett calls such work "cheerfully indecent," which sounds about right.

The Genróku Era (1675-1725, hard g as in "Gary") within the Edo or Tokyo Period, as Hibbett explains, occurs during the long Tokugawa Samurai Shogunate (1603-1867), and I'd say Genroku's ukiyo-zoshi (tales of the Floating World) have something of the Regency flavor about them, retailing for ordinary people the pleasures of the ukiyo (you-kée-oh), or floating world of transitory pleasures: courtesans, actors, red-light-district panderers, rakes, dandies, shopkeepers and their brats and vain spouses are the stars of this kind of literature.  The merchant classes or Chonin were pretty low on the scale of things in the feudal Shogunate, but of course that ranking affords one a kind of freedom due to the contempt of the beautiful people.  But the Shogun edicts couldn't really deal with the mercantilist wealth that people like Saikaku were building up in places like Osaka, Edo, and the capital Kyoto.  Japan's Shogunate had become rather insular, not really threatened by the outside world: stasis led to luxury for certain classes.  Refined hedonism, in other words, carpe diem but not stupidly so.  These were fashionable people: parvenus showing a creative mixture of aristocratic and plebeian tastes.  Hibbett describes the glittery nostalgia for this period as something of an illusion since the political culture was actually repressive, but the illusion was a powerful one with a lot of resonance even today.  To me, the society of the floating world seems rather like modern-day hipsterism.

Well, this is popular literature of a sort we are probably all familiar with -- enjoyable but not to be taken as high culture.  There's really nothing new about the phenomenon of racy popular literature -- they had that stuff in ancient Greece and Rome.  Ever read an early romance novel like the Roman author Apuleius' The Golden Ass, or The Satyricon of Petronius?  Then there was racy drama like the comedies of Aristophanes, which was topical and bawdy.  I suppose every age is modern to itself -- we like to think the things we do, the things we read, and so forth, are entirely new, but often that isn't the case.  Except maybe for those fancy phones everybody has nowadays -- until we discover some early version of an iPhone buried with a mummy in an Egyptian tomb, we're safe on that front.

Anyhow, the novel by Apuleius is a decent example because somehow, the book's crazy plot in which a man is transformed into an ass ends up taking a religious turn, and the rehumanized protagonist takes holy vows to the mystic Egyptian goddess Isis.  So he's first transformed into an animal, and then undergoes a spiritual transformation.  Point is, what seemed silly or ephemeral can end on a higher, more spiritual note, and that's what the present Saikaku story does.  The female protagonist has lived her life as one erotic adventure or scenario after another -- frankly, she has been taken advantage of quite a lot, aside from having what sound like reciprocal affairs -- and finally, at the point of suicide, a former lover leads her to take up Buddhist meditation in a secluded place, and that practice has endowed her with serenity as she nears the end of her life.

As for her being taken advantage of, that leads me to another main observation: our protagonist has apparently always been something of an outsider even when she was an insider.  The story portrays various walks of life, from the royal court to life as a mistress to a domain lord, to Buddhist temple life, and there's a seamy, steamy side to all of it.  She is different, quirky -- that gets her thrown out of her original situation.  And to an extent, I think, she remains an outsider to her surroundings and situations even as she takes part in the life of the places she inhabits.  One gets that sense that she could never find a permanent home in any role, in any place -- the circumstances would always change, she would change, something would impel her on her way again, whether to better or worse fortune.  That's probably what makes her a sympathetic figure -- the sense of wistfulness, of not fitting in and yet being driven by desires of her own.  But it's a Buddhist lesson, too -- are we really supposed to fall in love with the pleasures of this world?  No, of course not. 

Furthermore, it's worth making a point about identity as represented in literary texts.  We like to say that earlier authors treat the individual and individual desire differently than we children of the romantics do, and it's fair enough to point out that the kind of thing Saikaku is describing is relegated to fairly lowbrow status.  But there's a broader inference to be drawn.  I was just teaching Chaucer yesterday, and as usual, I pointed out that the medieval western self was represented as something like the sum total of one's social-rank-based obligations and relations -- identity was talked about as emerging from a web of such collective or corporate obligations and relations.  Yes, true enough, but that probably doesn't mean each individual felt this way about who they were -- so call me an essentialist, but I suspect that individualism is just part of humanity's basic set of drives.  And I also suspect that literary makers of representations -- writers of drama, poetry, fiction, whatever -- have always known as much and have carried that insight into their representations of life, at least to the extent allowed by the conventions and expectations of the day.  I've read ancient Egyptian love and slice-of-life poems at least in translation, and they come across as thoroughly modern in the way that I'm talking about.  Who knew that to "walk like an Egyptian" wasn't so different from walking like a modern?  But leaving that aside, let's go on to make some limited observations about the text….

An Old Woman's Hermitage (593-94)

593-94.  Our selection starts with the comment that sounds cut from misogynist tradition: "A beautiful woman, many ages have agreed, is an ax that cuts down a man's life." That may be a ruse to generate sympathy for the eventual female narrator, but I can't be certain.  Anyhow, it is spring sometime during the reign of Emperor Gohanazono (1419-71), and the initial frame narrator is out and about.  He sees a couple of well-dressed young men and hears them talking about love matters.  One of them is sickly and pale, and the other looks healthier.  But the one who is sickly can't get enough of love and wants to keep right on going, while the other would like to retreat and take better care of himself so he can live to a ripe old age.  These two men take remarkably different approaches to life -- one is all about "sensual pleasure," while the other wants to live as a hermit.  Neither goal seems realistic, as the narrator says. 

The business of young folk wearing themselves out in erotic adventures sounds preposterous, a matter of pure convention.  In Shakespeare's comedy As You Like it, Orlando says he'll die if he doesn't get his Rosalind's love, and Rosalind (disguised as the boy page Ganymede) says, "Men have died from time to time, and worms have eaten them, but not for love" (4.1.429).  But then, silly notions about this stuff abound.  Consider the Seinfeld episode in which the supposed gender-effects of not "getting any" are registered in Jerry's pals Elaine Benes and George Costanza.  George goes without for a while and gains about fifty IQ points -- he's even doing scientific experiments -- while Lanie turns into a mushy, blithering fool until she finds a man.  She can't concentrate, can't think.  I don't know if either assumption has any truth in it, but the episode was funny.

From curiosity, the male narrator follows the two young blades on their travels and ends up eavesdropping on them at the woodsy home of an old woman who still retains some of her former beauty.

594.  This old woman lives in a rustic hut and, from this point on, she speaks in her own voice.  The young men explain to her that they would appreciate some advice about love, seeing that she is so experienced.  A little bit of alcohol and music, and she is ready to tell her long, wistful story.  Her parentage was mixed between commoner and aristocrat, and she was blessed with more than common beauty.  While serving a courtly lady in Kyoto, she learned the elegant ways of the aristocratic class, and even, she tells us, invented a fine hairstyle that became all the rage in Kyoto, first amongst the upper classes and then with ordinary women as well.

595.  Still as a young girl at court, she began to become aroused by all the lovemaking around her and desired to do the same herself.  Men began to pay attention to her, and a young samurai in the employ of the aristocracy caught her heart with his writing skills.  But they were discovered, and she was dumped at the roadside while he was executed.  So that is the first disaster in her long life, thanks to an erotic adventure.

595-96.  At the end of 595, the narrator says, "I was very young when I learned about love.  I was still a flower in bud, you could say.  And after that I had so many experiences that the pure water of my mind turned completely the color of sensuous love…."  And she says further, "I just followed my desires wherever they went – and I ruined myself.  The water will never be clear again."  Well, a question that arises here, and in the story more generally, is the extent to which people can assert any control over their sexuality, whether they can at least use their desires to shape their destiny, or whether they have little or no control over the affairs of the heart.  I believe we will find at least a partial answer towards the tale's end.

Mistress of a Domain Lord (596-99)

596-99.  Now our female narrator meets the expectations of a domain lord – which is no small order because his expectations are ridiculous (597 2/3).  So she goes to Edo/Tokyo and lives happily and luxuriously for a while at this point, but at the chapter's end she says, "women, you know, are very basic creatures.  They just can't forget about physical love, even though warriors have very strict rules for keeping women and men apart" (599).  The man she has become attached to is unable to satisfy her or get her pregnant, but continues to have relations with her.  Unfortunately, but predictably, she is blamed for his deteriorating physical condition and is then dismissed back to her parents. 

A Monk's Wife in a Worldly Temple (599-602)

601.  Our narrator next plays the part of a very young girl and ends up becoming something like a cross-dressing page to satisfy the lusts of the Buddhist monks in a particular temple.  In time, the head priest of one of the temples takes a liking to her and she becomes his "temporary wife" for three years in exchange for much silver, but soon enough, things take a bad turn.  The temple is becoming rich and the monks, she says, are "losing all restraint."  They're doing everything Buddhist monks are not supposed to be doing.  As for her, she ends up having to satisfy this "disgusting priest" constantly, but finally gets used to this routine and even supposedly comes to enjoy it.  So this is part of the portrait we are given – a corrupt Buddhist temple.

602.  The old priest gradually stops locking his temporary bride in at night, and she meets an elderly woman who had also been the lover of this priest.  He has mistreated the woman very badly, so our gal can see her fate in this old woman's eyes.  She feigns pregnancy, and that alone gets the priest to dump her.  Free at last!

A Teacher of Calligraphy and Manners (603-05) 

603-05.  Some nice people help the young woman open up a calligraphy school for girls.  At last, she seems happy with her lot.  That is, until a young man shows up asking her to write a passionate series of letters to a woman who won't pay any attention to him.  Our narrator falls in love with this man and makes a direct play for his affection, but soon enough he reveals his true self, and it isn't pretty.  He goes for her proposition to love her instead of this coldhearted woman he's pursuing, but rudely tells her that he has no money; she must expect nothing from him.  This man forces himself on her, but she wins: her revenge against this "idiot" is to have sex with him until she wears him out.

A Stylish Woman Who Brought Disaster (605-08) 

605-08.  The young lady is now working as a messenger for the wife of a domain lord in Tokyo.  She sees aristocratic women playing a game of kickball, which she considers striking, but it's an old tradition that comes from China.  As usual we notice just how allusive a lot of Eastern literature is – it's very aware of historical and literary precedent.  This section is about the power of jealousy to ruin a person's life, and it tells the story of a "jealousy party" in which a number of aristocratic women vent their frustrations and anger about various people.  As for a lady-in-waiting named Sodegaki, her ruling passion is none other than jealousy.  She is unattractive and becomes infuriated with one of her husband's lovers.  So she takes out this frustration on a life-sized doll, but the doll magically seems to come to life (608).  The episode drives Sodegaki to distraction, and the whole thing ends up estranging the woman from her husband.  The lesson: "Jealousy is something you must never, never give in to.  Women should be very careful to resist it" (608).

Five Hundred Disciples of the Buddha -- I'd Known Them All (609-11) 

609-11.  There are moments in this story when you may wonder if this and other Floating World literature is a bit like those ridiculous porno flicks from the 1970s -- you know, films that dressed up their smut-peddling core with a veil of supposedly redemptive emplotment.  ("But Your Honor, our orgy-themed film is a public service: we're just exploring a fascinating aspect of ancient Roman life -- See? our actors wore togas for the first three minutes of the film!")  But seriously, what might seem like a thin cover for matters lewd and lurid turns out, I believe, to be spiritually redemptive.  As the old woman beholds the statues of 500 Buddhist devotees, she recognizes in them many of her old lovers.  Perhaps her present recollection of this moment for the young men who have come to visit her is the lady's way of turning her past erotic affairs (miserable and pleasurable alike) into a tender recognition that everything she's done thus far has led her to the righteous path she now treads.  Upon reflection, I found this part of the story touching.  The same goes for the event following the recognition she describes: she determined, she says, to commit suicide and thereby leave all the bad memories behind: "I made up my mind to pray, enter the water, and be reborn in the Pure Land" (611).  But another former intimate stops her, and tells her to take a better course: "Meditate and enter the way of the Buddha."  We are to understand that she has done so, and Saikaku ends the story with the emblem of the lotus flower of the heart, signifying the hope, as the notes say, that a person can remain pure of spirit in the midst of corruption and sin.  The attractions of the Floating World pass, but the heart abides.  And the answer to the "control" question I had raised?  Well, I think the implied answer is that something was guiding the lady even when she didn't know it -- she sought pleasure and sometimes security, but in her search for what is transitory and ultimately impossible, she found something else, something that is neither transitory nor impossible.  I think this "something else" is enlightenment.  The world may have its way with you, but it cannot destroy your spirit, and redemption is always possible.  As in any variety of Buddhism, "letting go" and "letting happen" are the way:  she cannot change her past, but she doesn't have to, and now she knows that.  Do the young fellows who sought her advice in matters of the heart understand?  We don't know.